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Others, as the rabbits, field-mice, and squirrels, are more or less active and forage freely on whatever they can find, eating many things which in summer they would spurn with scorn. To this class belongs that intelligent but injurious animal the musquash or muskrat. Those which inhabit the rivers and larger streams live in burrows dug deep beneath the banks, but those inhabiting sluggish streams and ponds usually construct a conical winter house about three feet in diameter and from two to three feet in height. These houses are made of coarse grasses, rushes, branches of shrubs, and small pieces of driftwood, closely cemented together with stiff, clayey mud. The top of the house usually projects two feet or more above the water, and when sun-dried is so strong as to easily sustain the weight of a man. The walls are generally about six inches in thickness and are very difficult to pull to pieces. Within is a single circular chamber with a shelf or floor of mud, sticks, leaves and grass, ingeniously supported on coarse sticks stuck endwise into the mud after the manner of piles. In the centre of this floor is an opening, from which six or eight diverging paths lead to the open water without, so that the little artisan has many avenues of escape in case of danger. These houses are often repaired and used for several winters in succession, but are vacated on the approach of spring. During the summer the muskrat is, in the main, a herbivorous animal, but in winter necessity develops its carnivorous propensities and it feeds then mainly upon the mussels and crayfish which it can dig from the bottom of the pond or stream in which its house is built.

In Italy (B.C. 212) the two Consuls Appius Claudius and Q. Fulvius began to draw together their forces for the purpose of besieging Capua. Hannibal advanced to relieve it, and compelled the Consuls to withdraw; but he was unable to force either of them to fight. Shortly afterward he returned again to the south to urge on the siege of the citadel of Tarentum, which still held out; and he spent the winter and the whole of the ensuing spring (B.C. 211) in its immediate neighborhood. But during his absence the Consuls had renewed the siege of Capua, and prosecuted it with such activity, that they had succeeded in surrounding the city with a double line of intrenchments. The pressing danger once more summoned Hannibal to its relief. He accordingly presented himself before the Roman camp, and attacked their lines from without, while the garrison co-operated with him by a vigorous sally from the walls.

In landscape the English have had something to say peculiarly their own. It has not always been well said, the coloring is often hot, the brush-work brittle, the attention to detail inconsistent with the large view of nature, yet such as it is it shows the English point of view and is valuable on that account. Richard Wilson (1713-1782) was the first landscapist of importance, though he was not so English in view as some others to follow. In fact, Wilson was nurtured on Claude Lorrain and Joseph Vernet and instead of painting the realistic English landscape he painted the pseudo-Italian landscape. He began working in portraiture under the tutorship of Wright, and achieved some success in this department; but in 1749 he went to Italy and devoted himself wholly to landscapes. These were of the classic type and somewhat conventional. The composition was usually a dark foreground with trees or buildings to right and left, an opening in the middle distance leading into the background, and a broad expanse of sunset sky. In the foreground he usually introduced a few figures for romantic or classic association. Considerable elevation of theme and spirit marks most of his pictures. There was good workmanship about the skies and the light, and an attentive study of nature was shown throughout. His canvases did not meet with much success at the time they were painted. In more modern days Wilson has been ranked as the true founder of landscape in England, and one of the most sincere of English painters.

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